The World in Chaos

We are living through a moment of profound upheaval. Economies shift, landscapes change, old certainties dissolve. It can feel like the world is breaking apart.

​

But chaos is not the same as collapse. And it is not random.

​

This is the idea at the heart of everything Ildikó makes. Rooted in her connections to Hungary, Japan and Norway — three cultures with very different relationships to land, impermanence and belonging — her practice has always been drawn to what lives inside disruption. Not panic. Not destruction. But the inner logic of change.

​

In clay, she works with the earth directly — its minerals, its weight, its memory. There is an honesty in that she cannot escape. Ceramics is not a weightless art. It uses the land. And yet she believes that through making — through slowing down, through presence, through objects that ask to be held and considered — art can turn attention back toward what matters.

​

The forms she builds move like waves and drifting sand. They mirror a world in constant shift — not as something to fear, but as something to move with. Japan taught her to find beauty in impermanence. Norway gave her the elemental force of untouched landscape. Hungary gave her the memory of a land that has been broken and remade many times, and endured.

​

The World in Chaos is not a lament. It is an invitation to recognise where we are in a much longer story — and to find, within the turbulence, the possibility of something new beginning.